Before I begin on the gothic, I would like to explain something on my video. I am happy to say we are up to 23 views so I can see it is well on its way to being a YouTube sensation. I also noticed that for some reason, after I uploaded it to YouTube, the timing is off. As you can notice in one of the interviews, the background switches after the characters do, which is pretty funny, but something I will fix and then re-upload. Just thought I would explain… Anyways, on to the gothic…

For the last couple of weeks, we have been studying gothic literature and the various aspects of it. I have to say that I have learned a lot from the various presentations and readings that were done in class. I have touched upon gothic literature in a couple of my other classes, but whenever I hear about anything “gothic”, my mind goes back to the high school days in which the “goth” kids would put black makeup all over themselves and listen to Marilyn Manson. I have been enlightened since then, and understand where the term and ideology come from.
Gothic literature, as I have learned from the class presentations, is essentially a combination of romance in horror. We were first given the assignment to read three short stories, our choice from a list, as an introduction to the concept.
The first story I read was The Mysterious Spaniard; Or, The Ruins of St. Luke’s Abbey by an Anonymous author. Although the story has a few horror elements, I found that it focused more on the romance aspect. The Spaniard mentioned in the title appears to have fallen in love with a girl that he met at a convent. Other than that, I found the story to be difficult to understand in parts and didn’t find it very interesting. The second story I read was The Midnight Embrace by Matthew Lewis. I also found this novel to focus on the romantic aspect rather than horror. The only part of this story that could be characterized as horror was Albert, the main character, meets Josephine, who has died. The description here of a dead woman embracing the fearful man is pretty creepy. Finally, I read Maddalena by Horace Walpole. This story, to me, seemed to qualify more as a “gothic” than the others. It contained both elements of horror and romance and even from the beginning explains the dark and mysterious setting that the story encompasses.
To summarize, the stories in which I read as an introduction to gothic literature did not give me the usual picture. What I mean is, when I think of gothic literature, the most famous examples that come to mind are Dracula and Frankenstein. Both of these stories contain romantic elements but focus more upon the horror aspect, opposite of the stories mentioned previously.
Out of all the discussions we had in class about the gothic, the most intriguing was the relationship between females and the gothic. We have learned that female gothic writers were important to the genre in its early stages. The association can then be made to females today with the example of the Twilight Saga. I assume that females cling to the romance aspect of the gothic due to the fact that female gothic writers were the ones to bring it to light, and why they are so poopular. It is also interesting to see how gothic literature has been able to survive so well. An interesting topic for further study… Well on to the Mysteries of Udolpho…



